14 SET 2023, Dystopian entropy, Roma IT


Through the use of obsolete materials derived from everyday objects, mass consumption, and their significant impact on society and the ecosystem, I transform them into cultural objects that invite questioning progress and raise questions about evolution.

I work with noble organic-mineral materials: glass (bottles), aluminum (car engines). These are natural resources that, when reconfigured, create new connections between them. These materials sit at the intersection between the natural and the artificial, engaging with the environment and elements such as birds, ants, seawater, hot springs, algae, and other invisible links, creating a synergy between nature and humanity.

Fire, Air, Earth, Water: the primary elements weave a dialogue between matter, time, and memory.



Sand, stones and sea water. ︎ Rosignano Solvay beach. Sodium bicarbonate and sodium carbonate factory. ︎ PET1 plastic bottles HDPE2 lid. ︎ Aluminum: parts from obsolete car engines.   Provided by Si

mone Miccioni Bodywork, Marino RM
. ︎ The fusion was carried out on the coast of the Tiber River,  Piazzale Ponte Emilio ancient Pons Aemilius, II B.C. ︎ Glass: 70 bottles of beer and wine collected in plazas [limited life situations]. And viewpoints of the city of Rome and tourist centers with historical value.





Stones and water from the Saturnia thermal baths, Grosseto ︎  Glass bottles. ︎  Aluminum: parts from obsolete car engines. Provided by Simone Miccioni Bodywork, Marino RM.  ︎ The fusion was carried out on the coast of the Tiber River, Piazzale Ponte Emilio ancient Pons Aemilius, II B.C. ︎  Glass: 88 bottles of beer and wine collected in plazas [limited life situations]. And viewpoints of the city of Rome and tourist centers with historical value. ︎  Pigeon feathers, parrots ︎ Fish skin ︎ Melon ︎ Sand on Torvaianica beach, RM.